Orch. of St John's + KL Festival Chorus

The pulsating opening bars from the orchestra in Handel's Coronation Anthem Zadok The Priest inexorably built up the tension paving the way for performance that was full of patriotic fervour and setting the standard for the remainder of this Golden Jubilee concert.

The pulsating opening bars from the orchestra in Handel's Coronation Anthem Zadok The Priest inexorably built up the tension paving the way for a spine-tingling entry from King's Lynn Festival Chorus into a performance that was full of patriotic fervour and setting the standard for the remainder of this Golden Jubilee concert.

The past year has seen the choir, now numbering some 100 voices, attain new standards of excellence in commitment and performance.

Nowhere was this more evident than in the second choral work of the evening Mozart's unfinished Great Mass in C Minor where throughout they produced superb tone and many moving moments.

Of the soloists Carolyn Foulkes was somewhat tentative in her entry but gained in stature as the work progressed. It was a pity there was so little work for the rich voice of bass soloist Paul Reeves. The quartet of soloists was completed by a second soprano Morag Atchison and tenor Andrew Murgatroyd.


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Conductor Michael Kibblewhite drew from the choir singing of a very high order while the playing of the Orchestra of St John's, one of the country's finest chamber orchestras, was beguiling.

These qualities were particularly evident in the piece that separated the choral works, Mozart's Coronation Piano Concerto No. 26. A deeply satisfying first festival concert.

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