Deftly told story of the drift to adulthood
Nabokov theatre company brings Jack Thorne's award winning play to Norwich, with an outstanding one-hander performance by Rosie Wyatt.
Bunny deserves something better than this review.
Or rather, Rosie Wyatt - who delivers an astounding one-hour monologue as the heart of Jack Thorne's play - does.
As Katie she deftly tells the story of an afternoon walk home from school in Luton, an seemingly innocuous adventure that becomes the canvas for a revealing series of events.
- 1 Meet the new team behind revamped village pub
- 2 Woman in 40s airlifted to hospital after suffering medical emergency
- 3 People are driving for hours to visit this loaded fries and doughnut kiosk
- 4 'Once in a lifetime catch' - man lands monster fish in Norfolk
- 5 Music-loving dad whose ashes were fired into festival crowd took own life
- 6 Obituary: Doctor, and son of Norwich's recycling empire founder, dies aged 69
- 7 One person taken to hospital after three-car crash on A47
- 8 Father accused of baby girl's murder 'had short fuse and made things up'
- 9 Holiday Inn to become 'care hotel' to help struggling hospitals
- 10 One of East Anglia's largest property builders is sold to investment firm
A fight, stand-offs, romance - or at least the casual, confused, hurtful teenage kind - and the sometimes tumultuous coallition of cultures that makes up life in modern Britain are woven together with revelations of her formative experiences, all told in a passionate, authentic and evocative voice.
Thorne (who wrote the screenplay for last year's excellent The Scouting Book For Boys, based in a north Norfolk caravan park) expertly unfolds the story, interspersing the day's events with memories of birthday parties, shoplifting and sex; the dialogue nestling unsettlingly between street patois and the Guardian-reading vocabulary of Katie's parents.
Against a subtle and sensitive backdrop of animated illustrations by Ian William Galloway and Jenny Turner, Wyatt crafts this in to an exceptional and captivating performance, blissfully unaware of herself but displaying her character's fully self-conscious state and gently mimicking the other players in the retelling both verbally and physically.
The performance won last year's Edinburgh Fringe First Award and it deserves to win many more; it also deserved a bigger audience in Norwich, and the Playhouse more support for bringing drama of this calibre to the city.