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The Durutti Column

PUBLISHED: 13:21 03 June 2006 | UPDATED: 15:42 22 October 2010

Norwich Arts Centre

Norwich Arts Centre

Durutti Column mastermind Vini Reilly is one of pop's survivors. A veteran of Manchester's fertile post-punk scene, label difficulties and ill-health have failed to halt his almost 30-year quest to expand the electric guitar's horizons.

With recent album Keep Breathing garnering rave reviews, this gig was an opportunity to witness a performer described by Red Hot Chilli Pepper John Frusciante as the best guitarist in the world.

Certainly anyone with a hankering for melancholy freeform soundscapes will not have been disappointed. Predominantly instrumental, Reilly's tunes bubble with internal urgency, before bursting into unexpected aural shapes.

Long-time collaborator Bruce Mitchell's meditatively pulsing drums and Badly Drawn Boy producer Keir Stewart's bass provided a sympathetic foundation, but really this was Reilly's show.

African rhythms and traditional Jewish influences jostled with plaintive samples amid his cacophonous guitar, bringing to mind a more thoughtful Moby.

In an age overflowing with drearily competent indie bands, it is genuinely inspiring to catch up with one of pop's true left-field mavericks.

The Durutti Column may never rival Embrace as a commercial proposition, but this gig demonstrated the value of real flair and originality.


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