DC’s gathering of the clan, their equivalent of the Avengers Assembling, has had a low-key arrival in cinemas after the hubris of their Batman Vs Superman and Suicide Squad fiascos, and this film feels like a chore, a contractual obligation.
Star Wars has become a welcome cash cow for the cinema industry. Arts Editor Andrew Clarke worries that the announcement of a yet another new trilogy will undermine the quality of this culturally important film series
Annette Bening does a magnificent job as the Oscar-winning 1950s Hollywood screen siren who finds romance and happiness with a younger man, but her life changes forever when she is diagnosed with breast cancer in the 1970s.
Paul King’s wholesome and crowd-pleasing sequel, which replicates the irresistible charm of the 2014 film that introduced the duffel-coat clad hero to the big screen, is nice, but not at the expense of wit and invention.
Three is the magic number for Marvel Comics’ dreamy incarnation of the hammer-wielding Norse god of thunder who finally gets into an otherworldly groove in this third solo outing directed to the comic hilt by New Zealand indie film-maker Taika Waititi.
Adapted from Andre Acriman’s novel by James Ivory, Luca Guadagnino’s sun-drenched and gorgeously restrained tale of a summer romance between two boys in 1980s Italy is poignant and truthful but also so oppressively tasteful.
Writer-director Armando Iannucci’s Moscow-set black comedy set after the death of the tyrant is genuinely laugh-out-loud and casually chilling with an all-star playing up the absurdity in a wild variety of different accents.
Not to be confused with the charming animated film based on Raymond Briggs’ picture book, Tomas Alfredson’s gritty detective thriller is is a ham-fisted detective yarn with ice rather than blood in its veins, adapted from a gripping novel.
The Hangover downs shots with Deliverance and The Blair Witch Project, in this British horror thriller resists the temptation for cheap, jump-out-of-your-seat scares to focus on a sustained build-up of tension.
Starry cast including Kristin Scott Thomas, Timothy Spall, Patricia Clarkson, Emily Mortimer and Cillian Murphy in Sally Potter’s black and white satire of contemporary social mores, which unfolds in real time.
With Blade Runner 2049 in cinemas and Electric Dreams, a series based on his short stories, on TV, cult sci-fi writer Philip K Dick is everywhere at the moment, but why his does his unique vision endure 30 years after his death.
In 1990, Joel Schumacher brought together young Hollywood’s bright lights Kevin Bacon, William Baldwin, Oliver Platt, Julia Roberts and Kiefer Sutherland for an outlandish thriller about curious medical students. Sadly the belated sequel flatlines.
For the last eight years film fans have been putting their movie knowledge to the test at Cinema City’s quizzes - and this Sunday sees the Norwich venue’s fortnightly event celebrate its 200th milestone.
Ridley Scott’s ground-breaking 1982 sci-fi classic complete with dystopian Los Angeles and Vangelis’ electronic score finally gets its eagerly awaited sequel, directed by Denis Villeneuve, and it’s been worth the wait, even if it’s a little style over substance.
Adapted from Jeannette Walls’ best-selling memoir, director Destin Daniel Cretton’s film, starrinh Oscar winner Brie Larson, asks us to believe that formative years marked harsh lessons in self-preservation could inspire four siblings.